PRAISE FOR NORTH SUN: or THE VOYAGE OF THE WHALESHIP ESTHER
“NORTH SUN is a deeply wonderful, strange and magnificent book. I swam through its unique pages with glee and horror and joy and came up for air gasping at what a deeply brilliant writer Ethan Rutherford is. The novel is completely exhilarating. How I shall miss its company, how I do long for Old Sorrel. In short, I consider this completely original tale of man and nature and ocean an absolute triumph.”—Edward Carey, author of Little, The Swallowed Man, and Edith Holler: A Novel
“This book is bonkers and I loved every rollicking, awkward, solemn, gorgeously written, isolated, melancholic, beautiful moment I spent with Arnold Lovejoy, his thoughts, his crew, the unending ice, and the sea, the empty-not-so-empty sea. Ethan Rutherford’s NORTH SUN is a damn harrowing sorrowful delight.”—Manuel Gonzales, author of The Miniature Wife and The Regional Office is Under Attack!
"Haunting, hallucinatory, and unrelentingly gorgeous, NORTH SUN feels as real as a history and as strange as a myth. The depths of Rutherford's imagination left me enraptured and unsettled. This is the kind of book that will keep talking to you long after you've finished reading." —Jennifer duBois, author of The Last Language
“I don’t know how, but Ethan Rutherford did it: He wrote Moby Dick for our times.”—Emily Barton, author of Brookland and The Book of Esther
“The evocative first novel from Rutherford (after the story collection Farthest South) depicts the end of the whaling era in the late 1870s. Worn-out captain Arnold Lovejoy is tasked by whaling baron Mr. Ashley with retrieving his son-in-law, Benjamin Leander, who’s gone native on the Alaskan coast after his ship was crushed by the ice, leaving his wife Sarah and their frail child behind. Accompanying captain Lovejoy aboard the whaleship Esther are two others with tasks of their own: mysterious passenger Edmund Thule and a presence unseen by most, a seabird-man spirit named Old Sorrel who begins to haunt the crew halfway through the voyage. As Lovejoy sails the Esther to the Chukchi Sea north of Alaska in search of Leander, his crew hunts whales for oil and sport. Chronicling in brisk and poetic prose their numerous travails, needless deaths, and hidden perversions, Rutherford plumbs the depths men will sink to in extracting what they desire from nature and their fellow man. This harsh and stark ballad of a bygone time will move readers.”—Publishers Weekly
Praise for Farthest South: Stories
"We read these stories to be reassured as much as unsettled. In "Fable," a woman prepares to tell a story about shape-shifting foxes, the human baby they adopt and the wolf that hunts them. "Is it a love story at all?" a listener asks. "Will we be scared?" Yes. And yes.” Star Tribune
“A spooky, sweet, wondrous short story collection. Rutherford’s stories possess undeniable darkness, and his collection maintains suspense throughout. But the thread that connects the stories is not scary, bleak, or supernatural—it’s the presence and importance of family. . . an imaginative, transformative, and delightful short story collection.” Foreword Reviews (starred review)
“These stories take us on sea voyages, they create myths and monsters, then dive straight into the intimacies, hopes, fears, and dreams of children and their parents. This is a book about the world, for the world.” BOMB
“These fresh and provocative yarns are spun with craft of a high order.” Publishers Weekly (starred review)
“The elements of plot in these stories are often strange and scary—two foxes kidnap a human child to raise as their own, a mother succumbs to spiritual illness, a baby’s illness is nightmarishly investigated at an impersonal hospital—and the contexts throughout are young families, young marriages, young children, and the perception of overwhelming threat facing them all. The stories they weave, which incorporate elements of memories, dreams, fears, and fables, don’t necessarily provide comfort or even much in the way of resolution. They don’t have a lesson except that people tell stories to seek order amid chaos, hope amid impending doom, a reason to keep going. . . [These are] stories that test the boundaries of the fictional imagination.” Kirkus (starred review)
"Farthest South makes me want to renew my vows to the short story form. Ethan Rutherford’s stories are dreamy and crisp. They lull and then startle. Best of all, they don't go anywhere I expect them to. I am obsessed." / Diane Cook, author of The New Wilderness and Man V. Nature
“In these disquieting stories, the surface of seemingly placid, ordinary American life gives way to startling eruptions of the strange, the marvelous, and the dreadful. Each story is an uncanny revelation, as if Nathaniel Hawthorne had decided to take up residence among us. “What did I miss?” numerous characters ask in the collection, and while the characters often do not know, Ethan Rutherford does. A brilliant and literally wonderful collection.” / Rattawut Lapcharoensap, author of Sightseeing
“The nine gorgeous and disorienting tales in Farthest South explore the terrors of love and attachment. These are sublime, disquieting, and consequential stories for our moment.” / Amity Gaige, author of Sea Wife
“Ethan Rutherford is one of our great artists of catastrophe. Drawing on landscapes both mythic—the fairytale, the ghost story—and domestic, this collection illuminates terrors that feel at once prescient and eternal. Farthest South is a masterpiece.” / Laura van den Berg, author of I Hold A Wolf by the Ears and The Third Hotel
"Ethan Rutherford’s stories combine nail-biting tension with crystalline description, humor, and endings that are as marvelously strange as they are rewarding. Toggling between the eerie and the radiantly familiar, Farthest South is unsettling in all the best ways. This is a beautifully spellbinding book." / Julie Schumacher, author of Dear Committee Members and The Shakespeare Requirement
“Again and again you can feel the stories in Farthest South striking out after fascination and surprising themselves with wisdom. Ethan Rutherford pairs a classic style with a haunted vision. Narratives that are all grace and ease at the beginning gradually become soaked in dread and hallucination. Reading them is by equal measures comforting and jolting, like sinking into a warm bath and feeling the brush of something living against your body.” / Kevin Brockmeier, author of The Ghost Variations and A Few Seconds of Radiant Filmstrip
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Praise for Peripatetic Coffin and Other Stories
“Rutherford’s wildly inventive collection is nothing short of a revelation. From polar expeditions to family turmoil, no experience is beyond this very fine writer’s ambitious grasp. He gives us the world with each story, with the world’s full measure of heartbreak and hilarity.” / Ben Fountain, National Book Critics Circle award-winning author of Billy Lynn’s Long Halftime Walk
“A confident and winning collection, every story in The Peripatetic Coffin feels necessary and true. Ethan Rutherford gets it.” / Patrick DeWitt, author of The Sisters Brothers
“Ethan Rutherford’s stories are funny and wrenching and feature hapless fatalists who nonetheless never stop striving, whose motto might be It’s Not Too Late to Take Responsibility for What We’re Doing, even as they continue to squander such opportunities. And yet they never let us forget that there’s always the possibility that they will learn-even if it’s the hard way-to see beyond themselves.” / Jim Shepard, author of National Book Award finalist Like You’d Understand Anyway and The Book of Aron
“Ethan Rutherford’s stories are absolutely perfect. . . I rarely feel this close to heartbreak, this strengthened by a writer clearly doing something special.” / Kevin Wilson, author of The Family Fang
“Moving seamlessly from one world to another, from oceans to a snow-covered meadow to the rooms of childhood, each story is a vessel of longing and possibility . . . . this book is a revelatory feat of the imagination, and The Peripatetic Coffin is an incomparable, vital debut.” / Paul Yoon, author of Run Me To Earth and Snow Hunters
“This is a flat-out beautiful book of stories.” / Charles Baxter, author of National Book Award finalist The Feast of Love
“Ethan Rutherford can slay you with humor and buoy you within the midst of tragedy. His range is amazing. Every story is 100% Grade-A storytelling.” Alice Sebold / author of The Lovely Bones